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Soilwork Stabbing the Drama Heavy Metal Music CD Review

admin — Sun, 25 Jul 2010 20:09:02 +0000

Soilwork, the richly talented Heavy Metal group have released their latest album titled Stabbing The Drama and Wow! It’s really a good one.

Unfortunately, it’s not everyday that I get a CD for review that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with Stabbing The Drama. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

As a group Soilwork possess the characteristic of being able to bowl you over with their talent alone. The kind of musicians I frankly just flat out enjoy listening to. One of the nicer things about a CD like this is with this level of talent even if Heavy Metal isn’t your favorite genre you still can’t help but appreciate the greatness of the musicians.

Stabbing The Drama is a first rate CD, delivering a little something for everyone. I give it my highest recommendation. It’s quite simply great listening. A must buy if you’re even mildly into Heavy Metal music. If you’re a Soilwork fan this is a CD your collection flat cannot be without. In fact, this is one of those CDs that you don’t even have to be a fan of Soilwork, or even Heavy Metal to know is good. This is just good music. Period.

While the entire album is really very good the truly standout tunes are track 3 – Weapon Of Vanity, track 2 – One With The Flies, and track 11- Wherever Thorns May Grow.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 – Stabbing The Drama. What a nice track!

Stabbing The Drama Release Notes:

Soilwork originally released Stabbing The Drama on March 8, 2005 on the Nuclear Blast Records label.

CD Track List Follows:

1. Stabbing The Drama 2. One With The Flies 3. Weapon Of Vanity 4. Crestfallen, The 5. Nerve 6. Stalemate 7. Distance 8. Observation Slave 9. Fate In Motion 10. Blind Eye Halo 11. Wherever Thorns May Grow

Carangel.Com Also Offers Sheet Music For Free

admin — Wed, 26 May 2010 18:31:29 +0000

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What is Memphis Blues Music?

admin — Wed, 17 Feb 2010 20:02:19 +0000

Memphis blues music began in the 1920s with musicians who lived in the Memphis area like Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. This style of music was most popular in vaudeville and medicine shows throughout the Memphis, Tennessee area. Beale Street was an area in Memphis where all of the main shows and music were performed. The history of Beale Street has been detailed in many books over the last ten years which has increased its popularity and appeal.

Although most blues bands in Memphis at the time were based around guitars, there were jug bands as well that were wildly popular. A jug band is a group that centers around a jug player while the other members play homemade instruments. Typically, the homemade instruments are ordinary objects that have been adapted or modified to make sound. Some examples of this are the washtub bass, washboard, spoons, stovepipe, and comb and tissue paper. When jug bands first came onto the music scene, they included mandolins or guitars that were made from the necks of discarded guitars which were then fastened on to large gourds. The gourds were made by flattening one side and then carving a sound hole into the side that was just flattened.

Sometimes, banjos were made in the same way. The actual jug that the players used was generally made from glass or stoneware. Jug players would buzz the lips of the jug from about an inch or two away from it and were able to create different pitches by changing their lip tension.

Jug bands were commonplace in Memphis blues bands for years, but after World War II, electric instruments began to be used much more often by Memphis blues musicians. Many African Americans, who had been living in the Mississippi Delta among some other impoverished areas in the south, began to leave their homes in search of more urban areas. At this time, many musicians ended up in the heart of the Memphis blues scene and the classic style of the Memphis blues sound began to change.

B.B. King, Ike Turner, Howlin Wolf and Willie Nix were some of the artists who performed in West Memphis on Beale Street at this time and were responsible for a number of the classic electric blues, rhythm and blues, and rock and roll songs. They created a lot of records in these genres for the label Sun Records. These musicians had a very strong influence on blues at the time and we can still see their impact on rock and roll music today.