Video Games Are Stealing The Spotlight

Posted by admin on 28th July 2010 in Song Spotlight

Thirty years ago the fledgling video game business was struggling to make a name for itself as it competed with toys, playing cards and board games for customers. The early games like Pong, Pac Man and Donkey Kong were very basic in terms of technology, and they had very little creativity involved with their designs and functions. Today, the computer game industry is a multi billion dollar extravaganza that has progressed dramatically, and it is starting to steal some of the spotlight from the glitzy and glamorous motion picture industry.

With technological advances like next generation motion capture systems, high definition graphics, Dolby Sound and Motion Sensor Remote controls that enable the players to actually get up off their chairs and get some exercise as they kick, swat, punch, jump, fish, golf and dance their way through sessions, video games have become more than just toys. They are an escape that offers a whole new reality. Kids and adults alike are playing Xbox 360, Playstation 3 and Nintendo Wii games more than ever before and the industry itself is growing bigger every day.

You only need to look at the recent Video Game Awards on Spike TV to see just how far they have come. This televised show was an awards ceremony much in the spirit of the Oscars or Emmys, but with more attitude. It was hosted by Samuel L. Jackson, a major Hollywood movie star, and throughout the show several other celebrities like Michael Irvin, Method Man, Eva Mendez and Seth Green showed up as presenters. James Gandolfini even showed up on the live satellite screen to accept an award for the Sopranos computer game.

Celebrities are starting to notice that video games are getting a lot of attention these days. If there is an awards ceremony that is televised, you can be rest assured that they will show up to get some face time. They are like moths to a porch light with that sort of thing. While the celebrities at the recent Video Game Awards were not quite on the Hollywood A-list, it will not be long before the ones that are will be showing up. They are already starting to license their names for the games, so it only makes sense that they will all be showing up at this event in the future to accept their awards.

The Video Game Awards show began this year with a big-budget open that looked like something out of a Jerry Bruckheimer film. Samuel L. Jackson made his way from his dressing room to the stage as he encountered various strange characters along the way, much like a video game. When he arrived on stage he picked up a laser gun and began to shoot the members of the classic rock group Kansas as they played their signature song Carry On My Wayward Son. There was impressive choreography, elaborate lighting and laser effects. Guys were being shot with laser guns and flying off the stage on harnesses, and the whole thing looked like a high-tech computer game that had come to life.

While the format of the show was very much like a Hollywood award show, it had a certain independent feel to it with a bit of a raw edge. Presenters and award winners were constantly saying things that needed to be bleeped out, edgy, young bands played loud music and Samuel L. Jackson seemed like he was infused with the energy of the crowd as he scream-talked his way through the night.

Being true to the Hollywood awards ceremony format, there were clips of video games that were played throughout the show. This was one of the highlights of the show, for it allowed the viewers to see glimpses inside the worlds of these games. I am quite certain that many viewers who had never seen any of these new games before suddenly had a new found respect for them. They even had clips of games that have not been released yet, like the new one by Tom Clancy called Ghost Recon and another new one called Big Shock that is due out in the spring of 2007.

It is not by accident that the video game industry is starting to look like the film industry. Sony, who makes Playstation 3, also makes movies for Hollywood. They have incorporated many of their filmmaking techniques into the production process of their video games, as have the makers of the Xbox 360 and Nintendo Wii games. The result is that you get games that seem like movies. The camera angles, storylines, lighting and sound effects are very similar to what you would see with a big budget Hollywood movie that plays in theaters.

All of the old classic movies like Scarface, The Godfather and Star Wars have all been turned into video games. A lot of the old actors like James Caan and Al Pacino were actually involved with the making of these classic movie games in which they offered their voice-over talents.

But there is one great advantage that video games have over movies, and that is that they offer interaction. You can actually be involved with what is happening on the screen, instead of just watching it like you do at a movie theater. This gives one a feeling of empowerment that one just does not get from watching a movie. These games offer more than an escape, they offer a journey into another world where your actions have no real negative consequences on yourself.

Video games have come a long way since the days of Pong, Pac Man and Donkey Kong. While the Video Game Awards are not quite the Oscars yet, they are certainly on a pace to give them a run for their money in the future in terms of publicity. Celebrities are starting to notice that the spotlight on Hollywood is being shared by a newcomer to the world of entertainment, and they are following the light, as they do naturally. It is an inevitable natural progression, much like the relationship between a whale and a pilot fish. Big celebrity names are starting to integrate into the computer game industry, and as this happens it only means more publicity for both parties involved. This is ultimately good for gamers too, for as the industry gets bigger and bigger, the games and the consoles will only get better and better.

Soilwork Stabbing the Drama Heavy Metal Music CD Review

Posted by admin on 25th July 2010 in Uncategorized

Soilwork, the richly talented Heavy Metal group have released their latest album titled Stabbing The Drama and Wow! It’s really a good one.

Unfortunately, it’s not everyday that I get a CD for review that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with Stabbing The Drama. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

As a group Soilwork possess the characteristic of being able to bowl you over with their talent alone. The kind of musicians I frankly just flat out enjoy listening to. One of the nicer things about a CD like this is with this level of talent even if Heavy Metal isn’t your favorite genre you still can’t help but appreciate the greatness of the musicians.

Stabbing The Drama is a first rate CD, delivering a little something for everyone. I give it my highest recommendation. It’s quite simply great listening. A must buy if you’re even mildly into Heavy Metal music. If you’re a Soilwork fan this is a CD your collection flat cannot be without. In fact, this is one of those CDs that you don’t even have to be a fan of Soilwork, or even Heavy Metal to know is good. This is just good music. Period.

While the entire album is really very good the truly standout tunes are track 3 – Weapon Of Vanity, track 2 – One With The Flies, and track 11- Wherever Thorns May Grow.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 – Stabbing The Drama. What a nice track!

Stabbing The Drama Release Notes:

Soilwork originally released Stabbing The Drama on March 8, 2005 on the Nuclear Blast Records label.

CD Track List Follows:

1. Stabbing The Drama 2. One With The Flies 3. Weapon Of Vanity 4. Crestfallen, The 5. Nerve 6. Stalemate 7. Distance 8. Observation Slave 9. Fate In Motion 10. Blind Eye Halo 11. Wherever Thorns May Grow

Review Of Grey’S Anatomy Music

Posted by admin on 24th July 2010 in Anatomy of a Hit

One would expect mushy love songs to be played in the background of a hospital love drama in soap. And that’s just what you will get from Grey’s Anatomy. But of course the choices are not the cheesiest ones. The show does have some good taste in music actually. And if they ever choose cheesy music it is meant to be ironic or funny. If you are a rabid fan of the medical series, then you would probably already know that the Grey’s Anatomy Music Soundtrack I and Soundtrack vol. II are just small simple samples of the great mix of songs that were used in the hit episodes in the series. With that said, let’s list down some of the best (according to my criteria of course) that where heard. A lot of Grey’s Anatomy Music are gives you both a feeling of dread and of being uplifted at the same time. A lot of them are melodic, entrancing, emotive, and makes the best use of silence.

The show achieves these peculiar effects by using songs from the Cardigans, Tegan and Sara, and Keane. Now if you have never heard any one song from these groups then you would have hard time imagining what the heck I am talking about. But if you have, at least one song, they you would know just what kind of a trance I am talking about. The melody is primarily melancholic and yet very beautiful at the same time. These are not love songs that are bound by the aesthetic of the power ballad. They are however, more similar to folk ballads, only they are drenched in the modern angst of urban isolation and are characterized by a high consciousness of the self that is imperfect yet willing to lose itself for love. Beck for example is a recurring band through out Grey’s Anatomy music.

Without these pieces of music, the show Grey’s Anatomy would certainly have a completely different outcome and atmosphere. So much of the emotive force that is seen episode per episode is bound up by the perfect timing and the perfect choice of music that is played. I would have to say though that I get a little tired of the ending song and montage of character shots showing them in various posses of despair, regret, longing, lovemaking, or happiness. That’s so been used so many many times in many many shows. All in all, the music still works its magical reverie.